Category: Art

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“Justice through Music” – An Interview with David Hinds from Steel Pulse

Musician David Hinds is the founder and front-man for Steel Pulse, the world’s leading reggae band.  For over forty years, Hinds and the band has brought conscious music and a message of equality to fans all around the world.  Now, with the timely release of Mass Manipulation, their first album in over fifteen years, Hinds is back with a message of … Continue reading “Justice through Music” – An Interview with David Hinds from Steel Pulse

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Will You Help Artist Ron English Build a “Welcome Wall”?

BY CHRISTIAN SARKAR – Renowned U.S. Artist Ron English has started a protest wall project down at the border with Mexico.  In response to Trump’s push for a border barrier, he’s decided to build his own wall – a “Welcome Wall.” The Mexican American “Welcome Wall” will be a 2000 ft long physical wall along the US/Mexico … Continue reading Will You Help Artist Ron English Build a “Welcome Wall”?

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Lamentations: Disaster-Capitalism, Puerto Rico, and the Art of Patrick McGrath Muñiz

BY CHRISTIAN SARKAR Alba’s Dream (2017) The public has not forgotten Puerto Rico, and neither has Patrick McGrath Muñiz. After experiencing Harvey in Houston, and witnessing Hurricane Maria passing over Puerto Rico and Irma in Florida, where most of his family and friends live, the issue of climate change has become even more personal for the … Continue reading Lamentations: Disaster-Capitalism, Puerto Rico, and the Art of Patrick McGrath Muñiz

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Why We Worship False Idols, Always Have, And Always Will

 [Or: How I Learned to Stop Worrying and Love the Global Imperial Plutocratic/Kleptocratic Brave New Fantasyworld of Vladimir Putin and Donald Trump] BY SCOTT DEWEY – As long as humans worship the trappings and display of power and wealth—as with celebrity, political power, military power, economic power—and they obviously do—there can be no democracy; democracy cannot … Continue reading Why We Worship False Idols, Always Have, And Always Will

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The ‘Terrorist’ in the White House

BY PHILIP KOTLER  The US has been downgraded in The Economist’s Democracy Index. It is now in the “flawed democracy” category. Donald Trump got elected as U.S. President on a platform that included a lot of changes that appealed to many people. Trump promised to “Make America Great Again” by bringing back the high paying jobs that had moved overseas … Continue reading The ‘Terrorist’ in the White House

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The Real Value of Government Support for the Arts in the U.S.

BY JOANNE BERNSTEIN “May none but honest and wise men ever rule under this roof.” —President John Adams, upon moving into the new White House. All of us who are passionate about the arts are repelled by our new administration’s promise to eliminate the NEA, the NEH, and government funding for PBS.  We know that cutting … Continue reading The Real Value of Government Support for the Arts in the U.S.

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CALL FOR ENTRIES: Greed! A Video Contest from Econ4

The Econ4 network of teachers, professors, practitioners, students and others are working to shift how economics is understood, taught and practiced. We’re now launching a video contest to crowdsource as many short, 3 minute videos about “Greed” as possible. We will distribute many of these across our network and beyond. The contest is patterned after the … Continue reading CALL FOR ENTRIES: Greed! A Video Contest from Econ4

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VIDEO: Corpocracy – at the Station Museum of Contemporary Art

Corpocracy is the absurd reality of our society in which corporations and their interests are allowed to have dominance over the economic and political systems. Through the subversive imagination, the artist works toward a transformation of social consciousness. WATCH: The show features 13 artists including, Beehive Design Collective, Michael D’Antuono, Ron English, Clark Fox, Kenneth … Continue reading VIDEO: Corpocracy – at the Station Museum of Contemporary Art

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Art & Response: An Interview with Michael D’Antuono

Considered one of the world’s most controversial artists, Michael D’Antuono is known for making art that challenges people to think more deeply about sociopolitical issues. His collectors range from Arnold Schwarzenegger to Pete Seeger and his work has received high praise from fellow artists Shepard Fairey and Banksy. What made you decide to dive into this sort of … Continue reading Art & Response: An Interview with Michael D’Antuono

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The Real Revolutionary: The Art of Packard Jennings

Packard Jennings is the nicest revolutionary you’ll ever meet. Polite and soft-spoken, he’s as self-effacing as they come.  And yet this is the man who is one of our hyperconsumerculture’s sharpest critics, using “appropriation, humor, and interventionist techniques to explore the dynamics of public spaces, and to address political and corporate transgressions against public interest.” Jennings got … Continue reading The Real Revolutionary: The Art of Packard Jennings

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Questioning Reality: Yoshua Okón’s Videos of Alienation

Yoshua Okón was born in Mexico City in 1970 where he currently lives. His work has been described as “a series of near-sociological experiments executed for the camera, blends staged situations, documentation and improvisation and questions habitual perceptions of reality and truth, selfhood and morality.” Okón challenges the assumptions we make as so many of us live our lives … Continue reading Questioning Reality: Yoshua Okón’s Videos of Alienation

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The Struggle Against Joyless Materialism: The Art of Clark Fox

Clark V. Fox (aka Michael Clark), the “Godfather of modern underground art,” started making art full time in Houston, Texas at age 5 and has never slowed down since. “Art chose me: I’m an American Indian, and Indians make stuff. My father carved. My mother painted. when I was five, I’d go up and down the … Continue reading The Struggle Against Joyless Materialism: The Art of Clark Fox

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Make it Rain (∄MIR): The Social Practice of Kenneth Tin-Kin Hung

Social practice is an art medium that focuses on social engagement, inviting collaboration with individuals, communities, and institutions in the creation of participatory art. For artist Kenneth Tin-Kin Hung, social practice meant taking on the very foundation of capitalist society – money. Running out of money?  What’s an artist/entrepreneur to do? Why not make like the Federal … Continue reading Make it Rain (∄MIR): The Social Practice of Kenneth Tin-Kin Hung